Archive for the ‘Music’ Category

Nakamichi 680 Discrete Head Cassette Deck and Music & Liberation

Tuesday, January 8th, 2013

In 2012 Great Bear digitised a selection of audio and audio-visual tape for the Heritage Lottery Funded exhibition, Music & Liberation.

The first job was to migrate a short film by a feminist film making collective called Women in Moving Pictures who were based in Bristol in the early 1980s. The film shows how the Bristol Women’s Music Collective were using feminism to politicise music making and includes footage music workshops, group performances interspersed with self-defence classes and intimate conversations.

Film still in colour. Woman playing a saxophone.

Film still from ‘In Our Own Time’

Several copies of the film had been stored in the Feminist Archive South, including the master copies. Out of curiosity the u matic copy was initially digitised, before the original was migrated to high definition digital format.

Picture of a group women singing and playing guitar

Film Still from ‘In Our Own Time’

Another job digitsed a series of rare recordings on tape, donated by Maggie Nicols. This included rare footage of the pioneering Feminist Improvising Group, whose members included Sally Potter, Georgina Born and Lindsay Cooper. One of the tapes was originally recorded at half speed, a technique used to get more recording time. We used the Nakamichi 680 Discrete Head Cassette Deck to play back the tapes at the correct speed to ensure the highest quality transfer.

We also digitised a series of tapes from the open improvisation collective Maggie co-founded in 1980, Contradictions. This included the performance ‘Madness in a Circle’ and many other creative experiments.

Music & Liberation re-opens at Space Station Sixty-Five in London for the last four days of its UK-wide tour on 10 January, so if you want to listen to the music or watch the films make sure you catch it.

 

Sony High Density V-60H video tape digitised for Comhaltas

Friday, November 16th, 2012

We were recently contacted Frank Whelan of the Comhaltas Regional Resource Centre who wanted us to digitise a recording of the Fleadh Cheoil traditional music festival in Buncranna, Co. Donegal in 1975.

Frank sent us an EIAJ ½ inch video that was recorded on a Sony High Density V-60H video tape for Helican Scan Video Tape Recorder. The tape was suffering from binder hydrolysis (often referred to as sticky shed syndrome), so needed treatment before it could be played. The tape was incubated and cleaned before the digitisation process.

A Sony V-60H high density video tape

The recording contains fascinating footage of solo and group performers from the biggest traditional Irish musical festival in the world. The first Fleadh Cheoil took place in 1951 and has happened every year since. Comhaltas are currently collecting archive material for every year the festival was held in order to create a document for future generations. The digitised film will go towards an exhibition and will be stored in a research facility focused on Irish traditional music.

This is an excerpt of the film that Frank kindly said we could use on our site.

Cassette tape, reel to reel and vinyl transfer support Bristol Archive Records

Thursday, March 5th, 2009
bristolarchiverecords.com website screen grab 

bristolarchiverecords.com website screen grab

We’ve recently been proud to be regularly involved in the transfer of a range of rare and often unique recordings of great but often forgotten Bristol bands from the late 1970’s onwards.

Bristol Archive Records

“… aims to showcase music from the diverse Bristol Music scene and provide a historical account / document of all things Bristol that should never be forgotten. Many of the artists and releases are rare, unknown or never before released. The material has been lovingly digitally remastered from vinyl, ¼ inch tape, dat or cassette. The original vinyl releases would generally have been limited to runs of 1000 copies or less.”

Many of the recordings have survived well over the years and sound great, a testament to the bands and the engineers that recorded them.

Listen to them here…


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