Posts Tagged ‘live recording’

Deacon Blue Live – Betamax PCM recordings

Monday, July 25th, 2016

Great Bear exist to make obsolete tape recordings accessible in the digital age.

We often work with artists and record labels who use our services to digitise back catalogues and previously unreleased material.

We regularly work with Bristol Archive Records, for example, who keep the memory of Bristol’s post punk and reggae history alive, one release at a time.

Other ‘archival’ releases recently transferred include cult Yugoslav New Wave band Doktor Spira i Ljudska Bića’s Dijagnoza (available late 2016), John Peel favourites Bob and legendary acid-folk act The Courtyard Music Group.

Great Bear can deliver your files as high resolution stereo recordings or, if available, individual ‘stems’ ready for the new remix.

A stack of Betamax PCM recordings of a Deacon Blue tour in 1988Deacon Blue Live – PCM Betamax transfer

We recently transferred several live concerts by Scottish pop sensations Deacon Blue.

Recorded in 1988, the concerts capture Deacon Blue in their prime.

The energetic performances feature many of their well-known hits, such as ‘Real Gone Kid’ and ‘Fergus Sings the Blues.’

As Pulse-Code Modulation (PCM) digital recordings on Betamax tape transferred at 24 bit/ 44 kHz, the recordings capture the technical proficiency of the band with exceptional clarity.

Introduced in the late 1970s, PCM digital audio harnessed the larger bandwidth of videotape technology to record digital audio signals.

‘A PCM adaptor has the analogue audio (stereo) signal as its input, and translates it into a series of binary digits, which, in turn, is coded and modulated into a monochrome (black and white) video signal, appearing as a vibrating checkerboard pattern, modulated with the audio, which can then be recorded as a video signal.’

PCM digital audio was widely used until the introduction of Digital Audio Tape (DAT) in 1987. Despite its portability and ability to record at different sampling rates, DAT was not immediately or widely adopted. Given that the Deacon Blue recordings were made on PCM/Betamax in 1988 is evidence of this. It also indicates a telling preference for digital over analogue formats in the late 1980s.

Deacon Blue Live at the Dominion Theatre, London, 26th October 1988 will be available to download as part of Deacon Blue’s new album Believers, released 30th September 2016.

According to singer and main songwriter Ricky Ross, the new Deacon Blue album aims to conjure a sense of hope: ‘it’s our statement to the fact that belief in the possibilities of hope and a better tomorrow is the side we choose to come down on.’

Deacon Blue are touring the UK in Nov/ Dec, visiting Bristol’s Colston Hall on 18 November.

 


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